Field Guide at Remai Modern, Saskatoon
By Sandee Moore
“Picasso’s new home on the Prairies” proclaims a roadside billboard. I am aghast, ready to join the legions of complainers and naysayers. It seems natural to be sceptical about Remai
Stan Douglas, The Secret Agent, 2015, video installation
It would take my entire word count to list the names of all of the artists included in the inaugural exhibition. Grandiose, expansive, and largely excellent, Field Guide plants a flag for the museum’s envisioned place in the world. Recent acquisitions such as Stan Douglas’ non-linear, multichannel video installation The Secret Agent, Anton Vidokle‘s captivating video exploring the history of Russian cosmism The Communist Revolution was Caused by the Sun, and Gander’s remarkable conveyor belt-powered sculpture peep show rub shoulders with modernist works inherited from the collection of the Mendel Art Gallery (the gallery out of which Remai grew). Vibrating with hopeful shades of pink and violet, Eli Bornstein’s Quadraplane Structurist Relief, No. 15 is a hopeful talisman for this new museum. Now in his nineties, he bridges past and present, having participated in the first exhibition at the former Mendel Art Gallery as well as this one.
One final note: while Saskatoon might yet become a destination for art, I doubt the same could ever be said for fashion; therefore, I recommend you eschew style in favour of comfort when choosing footwear for your trip to Remai Modern. Those concrete floors are hard on the feet.
Sandee Moore is a nationally exhibited artist, arts administrator, and occasional art writer. She can be followed on Twitter @SandeeMoore.